Thanks to everyone who come to our screening of Sweet Sugar Rage last night.
For those of you who missed it, you will be glad we recorded Dr Gail Lewis’ response to the film, which is featured below for your listening pleasure.
In the audio Gail reflects on the impact of Sistren’s visit to the Brixton Black Women’s Group in the 1980s, exploring how the feminist work translated across borders within the context of a Black feminist movement rooted in anti-imperialist and internationalist politics.
Gail also uses the conversation to reflect on how the cultural memory of the Black Women’s movement in the UK has been transmitted, and how this has shaped the politics of knowledge production within contemporary feminism more widely.
You can listen and download the audio by clicking through on this link.
Our final screening is on Sunday at 1pm. We are showing the Iranian film Facing Mirrors, get your tickets here.
We are delighted that Elhum Shakerifar will join us to discuss the film.
If you want to read up on the film, and Transgender in Iran more widely, you can read this blog post from the Ajam Media Collective and this article by Afsaneh Najmabadi.
Cultural translation expert Dr Carol O’Sullivan will be facilitating the discussion after Sunday’s screening of Surname Viet, Given Name Nam. Here Carol offers some initial thoughts on the film.
I had the very great pleasure today of an advance screening of Trinh T. Minh-ha’s extraordinary 1989 documentary Surname Viet, Given Name Nam.
It’s been talked about by researchers in film and in subtitling, so I had known of it for some time but never had a chance to see it because it’s not on commercial release.
The lovely folk at the Watershed cinema very kindly allowed me to come in and have a sneak preview, which was a great luxury.
I’m particularly interested in how the film plays with text on screen, but as today’s showing showed (ha), the director plays with a lot more than that, including with the documentary format itself.
I don’t want to give away too much about it ahead of Sunday’s showing, but readers who know the film already or don’t mind being slightly spoiled may be interested in Jonathan Rosenbaum’s review from back in the day. There’s also a very short preview on Youtube, though it only gives a hint of the film’s richness.
The film will be screened in 16mm format. I’m really looking forward to seeing it again.
We are reaching the mid-point for Translation/ Transmission so wanted to remind you of what is coming up this week.
On Tuesday 18 March at 6pm we are showing Dagmar Schultz’s beautiful biopic of her good friend Audre Lorde.
The film is an intimate portrayal of Lorde which allows us to see her as a transnational feminist figure who worked hard to facilitate the collective identities of the Afro-German community in Berlin.
We will also be screening a very special video made by Alexis Pauline Gumbs, who will be reading a letter she wrote to Audre Lorde as part of her activist-educational project The Eternal Summer of the Black Feminist Mind.
Tickets are selling fast so make sure you buy in advance.
On Sunday 23 March at 1pm we are showing Trinh T. Minh-ha’s Surname Viet Given Name Nam, a profoundly personal documentary explores the role of Vietnamese women historically and in contemporary society,
Using dance, printed texts, folk poetry and the words and experiences of Vietnamese women in Vietnam—from both North and South—and the United States, Trinh’s film challenges official culture with the voices of women.
Bristol based academic and self-proclaimed film nerd Carol O’Sullivan will be on hand afterwards to help guide the debate.
We are reading criticism relating to the film at this Wednesday’s reading group at Hydra books, 7-9pm, if you want to engage with the film’s theoretical ideas. Download the articles here and here – all welcome!
Don’t forget you can buy your tickets for the Intellect Books raffle at all screenings!
Hope to see you at Watershed for one of the shows!
Get ready for the screening of Audre Lorde: The Berlin Years 1984-1992 on March 18 at 6pm by listening to Audre reading her amazing essay ‘Uses of the Erotic: The Erotic as Power.’
Get your tickets here!